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Analog Photography

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Analog and chemical photography, films, darkroom
Discussion Last answer Replies / Clicks
Anila Jain

What are the most important in food Photgraphy?

Anila Jain 15.03.16, 10:55
I found total 5 important components for stunning food photography:

1. Perspective
 2. styling 
3. lighting 
4. props 
5. Camera and lens

Among them, lighting is far more important things that you need for great food photography and the most complementary lighting for food photography is natural lighting.
atiqur17 30.10.18, 04:54
atiqur17 atiqur17 30.10.18, 04:54
I found total 5 important components for stunning food photography:

1. Perspective
 2. styling 
3. lighting 
4. props 
5. Camera and lens

Among them, lighting is far more important things that you need for great food photography and the most complementary lighting for food photography is natural lighting.
5
2,891 clicks
Dennis Veldman

Canonet QL19 - help, tips&tricks

Dennis Veldman 25.03.08, 20:36
ytfge 27.08.18, 04:07
ytfge ytfge 27.08.18, 04:07
19
10,226 clicks
wxyd

develop film

wxyd 20.08.14, 09:52
ytfge 27.08.18, 04:00
ytfge ytfge 27.08.18, 04:00
4
4,013 clicks
nomorepikachu

Line on developed pictures, help?

nomorepikachu 19.09.16, 16:16
Seems to me that those are not damages to the negative, looks like a scan problem.
Ruud van der Lubben 19.09.16, 21:46
Ruud van der Lubben Ruud van der Lubben 19.09.16, 21:46
Seems to me that those are not damages to the negative, looks like a scan problem.
4
2,699 clicks
desertar

band proofs???

desertar 19.10.15, 23:56
Help message:
In order to auto-translate a paper about media archaeology and old photographic films, I'm desperately looking for the (apparently) impossible English version or English translation for
"PROVINI IN BANDA"

It indicates the practice of printing all the frames on a long photographic paper (like 3x54-inches for a 36 negative roll, for example) with the "enlargement" limited to about 3x4 inches (7x10cm) per photo.
I think the french translation, by instance, could be "bande de lecture" (a reading, a preview)...
small prints side by side like in contact sheets but a bit larger and on a single line, not cut into strips (as uncut could be the film, cause a special device could realize it without cutting the film).
So, like proofs "in band", in strips, on a single line, or whatever, but with no relation to music!
It seems impossible to find it on internet, until now, but I can't believe that this (not uncommon) Italian old labs practice doesn't exist elsewhere....

With enlarged gratitude for your future help,
Arianna
desertar 19.10.15, 23:56
desertar desertar 19.10.15, 23:56
Help message:
In order to auto-translate a paper about media archaeology and old photographic films, I'm desperately looking for the (apparently) impossible English version or English translation for
"PROVINI IN BANDA"

It indicates the practice of printing all the frames on a long photographic paper (like 3x54-inches for a 36 negative roll, for example) with the "enlargement" limited to about 3x4 inches (7x10cm) per photo.
I think the french translation, by instance, could be "bande de lecture" (a reading, a preview)...
small prints side by side like in contact sheets but a bit larger and on a single line, not cut into strips (as uncut could be the film, cause a special device could realize it without cutting the film).
So, like proofs "in band", in strips, on a single line, or whatever, but with no relation to music!
It seems impossible to find it on internet, until now, but I can't believe that this (not uncommon) Italian old labs practice doesn't exist elsewhere....

With enlarged gratitude for your future help,
Arianna
1
3,003 clicks
kamakany

RED NEGATIVES please, no brown, no orange C-41

kamakany 09.05.15, 17:32
Quote: wakataitea 04.08.15, 11:25scan the neg with your DSlR and a marco lens.. this shuld be better
It works :)
Anila Jain 23.09.15, 11:17
Anila Jain Anila Jain 23.09.15, 11:17
Quote: wakataitea 04.08.15, 11:25scan the neg with your DSlR and a marco lens.. this shuld be better
It works :)
3
3,886 clicks
Fabian Frank

tri-x 400 dynamic range

Fabian Frank 19.04.15, 19:38
Hi.

I'm looking into shooting on film as I like the look and feel of it. So I bought a canon ae1 and a 50mm lens from ebay. Got a roll of tri-x400 film and just went out and shot the whole roll in one day. I dropped it off at a local foto store but was a bit disappointed when I got the developed and printed fotos back. Generally all shots are lacking contrast. Looking at it in photoshop the values are clipped at a dark grey and light grey. So no real whites and no real blacks. I used the zone system to expose my shots but accidentally got a few underexposed shots and even they are clipped at a dark grey.
I'd like to look into developing the film myself but just want to find out at which stage I made a mistake.
Am I exposing wrong? But even then whites and blacks shouldn't be clipped, right?
Did the photo store do something wrong? Looking at the negative, as far as I can tell the range looks quite all right, completely transparent and fully opaque.
Maybe the negatives got fogged?

Thanks for your help,
Fabian
Fabian Frank 19.04.15, 19:38
Fabian Frank Fabian Frank 19.04.15, 19:38
Hi.

I'm looking into shooting on film as I like the look and feel of it. So I bought a canon ae1 and a 50mm lens from ebay. Got a roll of tri-x400 film and just went out and shot the whole roll in one day. I dropped it off at a local foto store but was a bit disappointed when I got the developed and printed fotos back. Generally all shots are lacking contrast. Looking at it in photoshop the values are clipped at a dark grey and light grey. So no real whites and no real blacks. I used the zone system to expose my shots but accidentally got a few underexposed shots and even they are clipped at a dark grey.
I'd like to look into developing the film myself but just want to find out at which stage I made a mistake.
Am I exposing wrong? But even then whites and blacks shouldn't be clipped, right?
Did the photo store do something wrong? Looking at the negative, as far as I can tell the range looks quite all right, completely transparent and fully opaque.
Maybe the negatives got fogged?

Thanks for your help,
Fabian
1
3,691 clicks
Royalrat

My father's Yashica Lynx 5000E

Royalrat 26.08.11, 21:31
It belongs to the Yashica Lynx series of cameras which are fixed lens, leaf shutter cameras made in the 1960s. It has built-in CDS cell light meter, full manual settings and Yashinon 5 elements 45mm f/1.8 lens, Yashica Copal-SV shutter with all speeds 1-1/1000, self-timer, and metal body. The viewing is very clear. It has coupled viewfinder / parallax corrected rangefinder. There is a bright frame which moves when the focus ring turned. Light meter readout is in the viewfinder, an electronic metering system that displays over and under indicators in the viewfinder instead of the meter needle.
approveme 30.12.14, 07:09
approveme approveme 30.12.14, 07:09
It belongs to the Yashica Lynx series of cameras which are fixed lens, leaf shutter cameras made in the 1960s. It has built-in CDS cell light meter, full manual settings and Yashinon 5 elements 45mm f/1.8 lens, Yashica Copal-SV shutter with all speeds 1-1/1000, self-timer, and metal body. The viewing is very clear. It has coupled viewfinder / parallax corrected rangefinder. There is a bright frame which moves when the focus ring turned. Light meter readout is in the viewfinder, an electronic metering system that displays over and under indicators in the viewfinder instead of the meter needle.
3
8,370 clicks
Ingemar Karlbo

Cameras

Ingemar Karlbo 07.12.12, 20:06
Recommended Canon lenses for portrait, For many people, a good-looking portrait shot combines a flattering view of the subject against a blurred background. This is very easy to achieve with the right lens. The key behind a blurred background is having a lens with a small f-number, and the flattering perspective is down to a slightly magnified view. Lenses with small f-numbers also capture more light, which makes them ideal for shooting in low-light without a flash.
approveme 02.12.14, 06:57
approveme approveme 02.12.14, 06:57
Recommended Canon lenses for portrait, For many people, a good-looking portrait shot combines a flattering view of the subject against a blurred background. This is very easy to achieve with the right lens. The key behind a blurred background is having a lens with a small f-number, and the flattering perspective is down to a slightly magnified view. Lenses with small f-numbers also capture more light, which makes them ideal for shooting in low-light without a flash.
6
7,887 clicks
Jit Ping Leong

hey to those that using analog camera

Jit Ping Leong 08.04.06, 10:38
Ideally, I would like to see both co-existing. Spontaneity and anticipation.
gzhuang 13.11.14, 07:05
gzhuang gzhuang 13.11.14, 07:05
Ideally, I would like to see both co-existing. Spontaneity and anticipation.
13
8,803 clicks
Patrick Aguilar

camera equipment help.

Patrick Aguilar 28.02.05, 04:14
Agree with Jimmy here. The 7NE will go a long way with proper care. A customizable, (mirror lockup), well-built and outstanding film camera.
gzhuang 13.11.14, 06:59
gzhuang gzhuang 13.11.14, 06:59
Agree with Jimmy here. The 7NE will go a long way with proper care. A customizable, (mirror lockup), well-built and outstanding film camera.
23
9,748 clicks
clarissaaa

what's a good amateur analog camera?

clarissaaa 13.09.12, 12:30
Great advice from Carlo. I am using an AE-1 Program myself.
gzhuang 13.11.14, 06:55
gzhuang gzhuang 13.11.14, 06:55
Great advice from Carlo. I am using an AE-1 Program myself.
6
8,513 clicks
Bria

Message in a Bottle

Bria 29.10.14, 16:51
I am a third year student at the University of Wales Trinity St David studying Photography in the Arts. For my final major project I will be doing something quite interactive and I’m trying to find photographers who are enthusiastic about using film to take part.

Photographs once had a physical presence, something you could hold and own. Still something which could be reproduced but there would always be that first ‘original’ print which would be produced. Now the family photo album is something more of a digital archive. Not only is everything safely backed up on your computer or hard drive etc, the way photographs are shared on social media we have this sort of online archive which we can access from anywhere and regardless of if your phone has broken or you’ve lost your memory card, the images will always exist in these pockets of the internet.

What I want to do is bring back that feeling of having one photo. One copy which only exists as something physical. One negative and one photograph. Having no backup exist anywhere.

I plan to use medium format film and I will print one of each photo and then destroy the negative, recording the destruction. I will then actually post each photo to somebody around the world with a handwritten explanation of who I am and what I am doing. This process may be difficult to begin with as I have to learn to just let go of the photograph, knowing I may never see it again. It will remain as just a memory to me, something I can never reproduce or recapture. I will also ask each person who I write to repeat the process and send me back an original photo of whatever subject matter they see fit.

If you should choose to be involved please email me with a postal address at briabs@hotmail.co.uk .

Thank you in advance
Bria 29.10.14, 16:51
Bria Bria 29.10.14, 16:51
I am a third year student at the University of Wales Trinity St David studying Photography in the Arts. For my final major project I will be doing something quite interactive and I’m trying to find photographers who are enthusiastic about using film to take part.

Photographs once had a physical presence, something you could hold and own. Still something which could be reproduced but there would always be that first ‘original’ print which would be produced. Now the family photo album is something more of a digital archive. Not only is everything safely backed up on your computer or hard drive etc, the way photographs are shared on social media we have this sort of online archive which we can access from anywhere and regardless of if your phone has broken or you’ve lost your memory card, the images will always exist in these pockets of the internet.

What I want to do is bring back that feeling of having one photo. One copy which only exists as something physical. One negative and one photograph. Having no backup exist anywhere.

I plan to use medium format film and I will print one of each photo and then destroy the negative, recording the destruction. I will then actually post each photo to somebody around the world with a handwritten explanation of who I am and what I am doing. This process may be difficult to begin with as I have to learn to just let go of the photograph, knowing I may never see it again. It will remain as just a memory to me, something I can never reproduce or recapture. I will also ask each person who I write to repeat the process and send me back an original photo of whatever subject matter they see fit.

If you should choose to be involved please email me with a postal address at briabs@hotmail.co.uk .

Thank you in advance
1
3,809 clicks
Royalrat

The Heavy & the Beauty - Miranda Sensorex

Royalrat 06.10.11, 07:47
xxx 14.08.14, 02:57
xxx xxx 14.08.14, 02:57
2
6,441 clicks
Raymond Mckay

what is analog photography

Raymond Mckay 03.06.05, 05:44
To define things one has to be specific. Analogue does mean using film and cameras intended for film use, as opposed to the digital products. The cross-over comes when you start copying your images produced in analogue onto CD or memory sticks and work with them as you would with your digital iamges.
but the origin of analogue is film. That should be your point of departure. The creative bits come after you know the difference.
ankefyamj 07.02.14, 09:53
ankefyamj ankefyamj 07.02.14, 09:53
To define things one has to be specific. Analogue does mean using film and cameras intended for film use, as opposed to the digital products. The cross-over comes when you start copying your images produced in analogue onto CD or memory sticks and work with them as you would with your digital iamges.
but the origin of analogue is film. That should be your point of departure. The creative bits come after you know the difference.
15
11,933 clicks
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