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Photography Accessories, lenses, tripods ...
Discussion
Last answer
Replies / Clicks
Suggest a good camera
Sheperson
30.07.09, 14:38
Deleted user
25.09.23, 13:41
Deleted user
25.09.23, 13:41
33
34,209 clicks
Samsung Galaxy Tab 2
Richard Allen
10.03.13, 15:55
I completely agree, however maybe if you don't want to be associated with the Apple brand. I choose Apple because you would be exhibiting your merchandise from that device and you will want people to see your product as well as possible. It is possible to make it happen by using an oled display https://wordsfromletters.co/
Karla Murphy
17.08.22, 11:26
Karla Murphy
17.08.22, 11:26
I completely agree, however maybe if you don't want to be associated with the Apple brand. I choose Apple because you would be exhibiting your merchandise from that device and you will want people to see your product as well as possible. It is possible to make it happen by using an oled display https://wordsfromletters.co/
6
7,739 clicks
Any camera bag advice?
koolertron
03.09.14, 09:23
Yes I think it is evident to know, what you want to use the bag for. Camera only, or also accessories?
For my Fuji X-T3 no real camera protection ist available. Finaly I decided for MyMiggo Agua 45 to take the camera along on my dog walks. It protects very well against dirt and rain and allows you to draw the camera very quickly, for example if you stumble over wild animals.
To take along more lenses, flash etc. I use a slingbag from pacsafe, which is not too big and also gives you maximum protection against theft, if you are on your way in the city.
As already said , it pays to invest a bit more money and it is also helpful if you can test the bag at a shop before buying.
PLEye
18.04.21, 09:57
PLEye
18.04.21, 09:57
Yes I think it is evident to know, what you want to use the bag for. Camera only, or also accessories?
For my Fuji X-T3 no real camera protection ist available. Finaly I decided for MyMiggo Agua 45 to take the camera along on my dog walks. It protects very well against dirt and rain and allows you to draw the camera very quickly, for example if you stumble over wild animals.
To take along more lenses, flash etc. I use a slingbag from pacsafe, which is not too big and also gives you maximum protection against theft, if you are on your way in the city.
As already said , it pays to invest a bit more money and it is also helpful if you can test the bag at a shop before buying.
7
9,736 clicks
Camera backpack for international travel
masashi
03.06.13, 07:23
I suggest you the Everyday Backpack V2 finest gear for your camera safety
Deleted user
01.03.21, 11:04
Deleted user
01.03.21, 11:04
I suggest you the Everyday Backpack V2 finest gear for your camera safety
9
12,160 clicks
UV Filters
John Millward
21.11.10, 20:03
The ND filter is good for creating the illusion of a moving object (waterfall, river, waves) due to the forced increase in exposure. The CPL filter is good for better rendering of the sky and for leveling (or emphasizing) glare.
Andrey Snegir
01.12.20, 12:31
Andrey Snegir
01.12.20, 12:31
The ND filter is good for creating the illusion of a moving object (waterfall, river, waves) due to the forced increase in exposure. The CPL filter is good for better rendering of the sky and for leveling (or emphasizing) glare.
8
12,038 clicks
Graduated grey filter
Tor-Henrik Furmyr
14.04.07, 11:39
In sunsets the lighting conditions vary a lot, depending on the height of the sun above the horizon. You may need a wider range of ND grads to deal with it.
blugir
25.07.18, 04:00
blugir
25.07.18, 04:00
In sunsets the lighting conditions vary a lot, depending on the height of the sun above the horizon. You may need a wider range of ND grads to deal with it.
20
25,837 clicks
Tamron Reisezoom für Nikon
Hedi de Zilva
01.07.18, 22:16
Hallo, hat jemand Erfahrung mit Tamron B028N Reisezoom für Nikon, 18mm - 400 mm, f/3.5-6.3?
Hedi de Zilva
01.07.18, 22:16
Hedi de Zilva
01.07.18, 22:16
Hallo, hat jemand Erfahrung mit Tamron B028N Reisezoom für Nikon, 18mm - 400 mm, f/3.5-6.3?
2
13,959 clicks
Domande su Comportamento Fotografo
Matteo Mauro
08.12.17, 17:30
Ciao, buonasera.
Il comportamento del tuo fotografo non è certo la quintessenza della professionalità, tuttavia, dal punto di vista giuridico si è comportato secondo norma di legge.
Partendo dal fatto che i file digitali sono assimilati ai negativi fisici, ne segue che:
1) E' corretto che gli originali vengano custoditi presso lo studio del fotografo, sempre nel rispetto delle norme sulla privacy (non puo' avvenire pubblicazione senza assenso).
2) E' corretto che il committente non pretenda la consegna incondizionata di tali originali, ma la richieda a fronte di un giusto compenso.
3) E' corretto che il fotografo non consegni gli originali "di default", ma dia la possibilita' di riscattare la quota di "proprieta'" del committente.
4) Conseguentemente, sono invece sbagliate le posizioni sia del committente che pretende la consegna su sola richiesta, come anche del fotografo che si rifiuti, ad ogni costo, di consegnarli.
Queste indicazioni valgono IN ASSENZA di ACCORDI espliciti sulla disponibilita' degli originali. Se esistono scritture di accordi interpersonali, valgono tali accordi.
Esiste una sentenza della Corte di Cassazione che si e' pronunciata in tal senso, con sentenza del 28/6/1980 n. 4094: la proprieta' dei negativi di ritratto e di cerimonie come matrimonio e simili e' del fotografo, e non del committente.
Suprema corte di Cassazione civile, sez I, 28/06/1980 n. 4094, reperibile - fra gli altri - in Giust. civ. Mass. 1980, fasc. 6. Foro it. 1980, I, 2121, Giust. civ. 1980, I, 2101, che recita: "Nell'ipotesi di ritratto fotografico eseguito su commissione, regolata dall'art. 98, I. 22 aprile 1941 n. 633 sul diritto d'autore, il committente, diversamente da quanto stabilito dall'art. 88 comma 3 di detta legge per le fotografie di cose in suo possesso, non acquista il diritto esclusivo di utilizzazione della fotografia, il quale rimane al fotografo, pur concorrendo con quello della persona fotografata o dei suoi aventi causa di pubblicare e riprodurre liberamente la fotografia medesima, salvo il pagamento al fotografo di un equo corrispettivo nel caso che la utilizzino commercialmente. Nell'ipotesi indicata, pertanto, ove manchi un diverso patto, deve ritenersi che il fotografo conserva la proprieta' del negativo e non e' tenuto a consegnarlo al committente."
Tuttavia, dato che il committente (o comunque le persone ritratte) conserva la facolta' di usare tali immagini (come determinato dall' art. 96 legge 633/41), ecco che esiste anche in capo a loro - cioe' al committente del ritratto - un diritto a usare tali originali.
Questo significa che gli originali del servizio ( ritratto, foto tessera, book, matrimonio, ecc ecc ) - in assenza di patti scritti - restano correttamente al fotografo (vedi sopra), il quale, tuttavia, su richiesta e dietro pagamento deve consegnare gli originali al committente che li voglia riscattare.
Dal canto suo, il committente NON ha titolo per pretendere tali originali (o i files) senza pagare un apposito e congruo compenso.
Saluti
Vincenzo
Vincenzo Caniparoli
14.12.17, 21:34
Vincenzo Caniparoli
14.12.17, 21:34
Ciao, buonasera.
Il comportamento del tuo fotografo non è certo la quintessenza della professionalità, tuttavia, dal punto di vista giuridico si è comportato secondo norma di legge.
Partendo dal fatto che i file digitali sono assimilati ai negativi fisici, ne segue che:
1) E' corretto che gli originali vengano custoditi presso lo studio del fotografo, sempre nel rispetto delle norme sulla privacy (non puo' avvenire pubblicazione senza assenso).
2) E' corretto che il committente non pretenda la consegna incondizionata di tali originali, ma la richieda a fronte di un giusto compenso.
3) E' corretto che il fotografo non consegni gli originali "di default", ma dia la possibilita' di riscattare la quota di "proprieta'" del committente.
4) Conseguentemente, sono invece sbagliate le posizioni sia del committente che pretende la consegna su sola richiesta, come anche del fotografo che si rifiuti, ad ogni costo, di consegnarli.
Queste indicazioni valgono IN ASSENZA di ACCORDI espliciti sulla disponibilita' degli originali. Se esistono scritture di accordi interpersonali, valgono tali accordi.
Esiste una sentenza della Corte di Cassazione che si e' pronunciata in tal senso, con sentenza del 28/6/1980 n. 4094: la proprieta' dei negativi di ritratto e di cerimonie come matrimonio e simili e' del fotografo, e non del committente.
Suprema corte di Cassazione civile, sez I, 28/06/1980 n. 4094, reperibile - fra gli altri - in Giust. civ. Mass. 1980, fasc. 6. Foro it. 1980, I, 2121, Giust. civ. 1980, I, 2101, che recita: "Nell'ipotesi di ritratto fotografico eseguito su commissione, regolata dall'art. 98, I. 22 aprile 1941 n. 633 sul diritto d'autore, il committente, diversamente da quanto stabilito dall'art. 88 comma 3 di detta legge per le fotografie di cose in suo possesso, non acquista il diritto esclusivo di utilizzazione della fotografia, il quale rimane al fotografo, pur concorrendo con quello della persona fotografata o dei suoi aventi causa di pubblicare e riprodurre liberamente la fotografia medesima, salvo il pagamento al fotografo di un equo corrispettivo nel caso che la utilizzino commercialmente. Nell'ipotesi indicata, pertanto, ove manchi un diverso patto, deve ritenersi che il fotografo conserva la proprieta' del negativo e non e' tenuto a consegnarlo al committente."
Tuttavia, dato che il committente (o comunque le persone ritratte) conserva la facolta' di usare tali immagini (come determinato dall' art. 96 legge 633/41), ecco che esiste anche in capo a loro - cioe' al committente del ritratto - un diritto a usare tali originali.
Questo significa che gli originali del servizio ( ritratto, foto tessera, book, matrimonio, ecc ecc ) - in assenza di patti scritti - restano correttamente al fotografo (vedi sopra), il quale, tuttavia, su richiesta e dietro pagamento deve consegnare gli originali al committente che li voglia riscattare.
Dal canto suo, il committente NON ha titolo per pretendere tali originali (o i files) senza pagare un apposito e congruo compenso.
Saluti
Vincenzo
2
19,374 clicks
hello!!!
kwokkin
13.09.17, 05:26
hello!Sightfeeling is a group of Hong Kong people who are passionate about taking photos. We want to promote blind photography and support the blind photographers in Hong Kong.
In 2018, we will be organizing a photo exhibition for the blind photographers. In order to achieve this, we have joined a program called "Dream Plan", the winning candidates will be given HK$10,000 to achieve their dreams, which is holding an exhibition to us.
Your help is important! You can show support by like, comment and share this video. Thank you very much for making this happen.
https://m.facebook.com/story.php?story_ ... 7164034260
kwokkin
13.09.17, 05:26
kwokkin
13.09.17, 05:26
hello!Sightfeeling is a group of Hong Kong people who are passionate about taking photos. We want to promote blind photography and support the blind photographers in Hong Kong.
In 2018, we will be organizing a photo exhibition for the blind photographers. In order to achieve this, we have joined a program called "Dream Plan", the winning candidates will be given HK$10,000 to achieve their dreams, which is holding an exhibition to us.
Your help is important! You can show support by like, comment and share this video. Thank you very much for making this happen.
https://m.facebook.com/story.php?story_ ... 7164034260
1
17,084 clicks
Canon to Nikon adapter
__GLM__
13.08.15, 14:56
It depends on the kind of lenses that you have. You can use:
Rokinon T1.5 Cine Lens Kit for Canon EF-Mount. The lenses share a T-stop range of 1.5 to 22mm. The included lenses feature Canon EF lens mounts and cover full-frame sensors. Ultra Multi-Coating (UMC) on the lenses improves light transmission and adds resistance to ghosting and flares. Each lens includes a detachable lens hood.
Rokinon 24mm T1.5 Cine ED AS IF UMC Lens for Canon EF Mount. This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 38.4mm. The optical construction incorporates four extra-low dispersion elements, as well as two aspherical elements, to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images.
Rokinon 35mm T1.5 Cine AS UMC Lens for Canon EF Mount. This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 56mm. The optical construction incorporates two high refractive index elements and one aspherical element to reduce chromatic aberrations and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images.
Rokinon 85mm T1.5 Cine Lens for Canon EF. The 85mm has a minimum focus distance of 3.6'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 7 groups, including one aspherical element to reduce spherical aberrations. In addition, a multi-coated elements help improve light transmission.
Max Simson
13.08.17, 21:26
Max Simson
13.08.17, 21:26
It depends on the kind of lenses that you have. You can use:
Rokinon T1.5 Cine Lens Kit for Canon EF-Mount. The lenses share a T-stop range of 1.5 to 22mm. The included lenses feature Canon EF lens mounts and cover full-frame sensors. Ultra Multi-Coating (UMC) on the lenses improves light transmission and adds resistance to ghosting and flares. Each lens includes a detachable lens hood.
Rokinon 24mm T1.5 Cine ED AS IF UMC Lens for Canon EF Mount. This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 38.4mm. The optical construction incorporates four extra-low dispersion elements, as well as two aspherical elements, to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images.
Rokinon 35mm T1.5 Cine AS UMC Lens for Canon EF Mount. This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 56mm. The optical construction incorporates two high refractive index elements and one aspherical element to reduce chromatic aberrations and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images.
Rokinon 85mm T1.5 Cine Lens for Canon EF. The 85mm has a minimum focus distance of 3.6'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 7 groups, including one aspherical element to reduce spherical aberrations. In addition, a multi-coated elements help improve light transmission.
2
13,817 clicks
How do I upload a photo to my post?
Fanpo
24.07.17, 18:51
I just came in to play so I didn't quite understand.
Fanpo
24.07.17, 18:54
Fanpo
24.07.17, 18:54
I just came in to play so I didn't quite understand.
2
2,185 clicks
Exercices hebdomadaires 2017 : fil des participants
PERSYN Thérèse
02.01.17, 19:24
le thème de la luxure nous a offert de belles déclinaisons sur la Luxure dans des compositions suggestives, toutes aussi subtiles, variées et bien composées..! Bravo à tous les participants pour leurs clichés & Mille merci au jury d avoir retenu " sans retenue " cette extase de Femme dans la lumière..! je suis trés touchée..!
amts marie
† aixoise
05.06.17, 19:49
† aixoise
05.06.17, 19:49
le thème de la luxure nous a offert de belles déclinaisons sur la Luxure dans des compositions suggestives, toutes aussi subtiles, variées et bien composées..! Bravo à tous les participants pour leurs clichés & Mille merci au jury d avoir retenu " sans retenue " cette extase de Femme dans la lumière..! je suis trés touchée..!
amts marie
105
9,146 clicks
How to sell a Linhof Technica 3000 in Berlin?
DrFolAmour
01.06.17, 11:52
Hello everybody,
I've got a Linhof camera with lenses and other accessories from my parents (they were photographers) to sell, but I don't really know how to find people interested by such a camera, can't be used by everyone. Any ideas on how to find interested people around Berlin?
cheers!
DrFolAmour
01.06.17, 11:52
DrFolAmour
01.06.17, 11:52
Hello everybody,
I've got a Linhof camera with lenses and other accessories from my parents (they were photographers) to sell, but I don't really know how to find people interested by such a camera, can't be used by everyone. Any ideas on how to find interested people around Berlin?
cheers!
1
4,346 clicks
New Here
Maen Wawi
04.11.15, 16:11
Quote:
Maen Wawi
08.11.15, 17:11
Thank you ;)
You are most welcome :)
Anila Jain
27.02.16, 10:18
Anila Jain
27.02.16, 10:18
Quote:
Maen Wawi
08.11.15, 17:11
Thank you ;)
You are most welcome :)
4
4,183 clicks
hi all, I need some advices about canon lenses.10-22 or 16-3
hinizturgay
15.03.10, 14:43
You must be using a crop sensor camera as the 10-22 is an EF-S lens and foes not fit the full frame cameras (like 5d).
with a crop sensor you must know that using an EF (not EF-S) means a multiplier of 1.6 to the focal length. So the 16-35 (which is a favorite of mine) becomes a 25-56. These are not close enough to do the same functions. The costs are not similar either as a 10-22 is a about $650 new and the 16-35 is about $1000 more. If you are beginning I suggest limiting the expense until you find your voice. Then spend resources there. You may find an specialty that pleases you and those lenses may be completely different than where you began.
Post Edited (14:56)[/quote]
Q.A.
21.12.14, 16:42
Q.A.
21.12.14, 16:42
You must be using a crop sensor camera as the 10-22 is an EF-S lens and foes not fit the full frame cameras (like 5d).
with a crop sensor you must know that using an EF (not EF-S) means a multiplier of 1.6 to the focal length. So the 16-35 (which is a favorite of mine) becomes a 25-56. These are not close enough to do the same functions. The costs are not similar either as a 10-22 is a about $650 new and the 16-35 is about $1000 more. If you are beginning I suggest limiting the expense until you find your voice. Then spend resources there. You may find an specialty that pleases you and those lenses may be completely different than where you began.
Post Edited (14:56)[/quote]
7
4,672 clicks
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